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New ALEXA 265

With a dramatically reduced form factor, improved image quality, and easier workflows, ALEXA 265 sets the 65 mm format free. 

Behind the scenes of “Alien: Romulus”: Cinematographer Galo Olivares.

Shooting “Alien: Romulus”

Cinematographer Galo Olivares talks to ARRI Rental about working with director Fede Álvarez on the latest film in the long-running “Alien” franchise, shot with ALEXA 35.

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Simon Duggan ASC, ACS on “Furiosa: A Mad Max Saga”

ALEXA 65 with DNA lenses, including custom optics made by ARRI Rental, used to shoot the latest instalment in director George Miller’s post-apocalyptic franchise.

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ALEXA Monochrome cameras

Native black-and-white across three formats

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HEROES

Eclectic lenses with optical superpowers

We are ARRI Rental

Our goal is to equip you with the most inspiring image technology in the world. We are unique in terms of the exclusive products we have developed, and our resources. As part of the wider ARRI ecosystem, we are built on a bedrock of knowledge that dates back more than a century.

Through a network of facilities in North America, Europe, and the UK, our service crosses borders and continents, bringing you first-class motion picture camera, lighting, and grip equipment, wherever you may be. We aim for warm welcomes, friendly expertise, personalized solutions, and relationships built on trust.

Explore ARRI Rental projects

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The Lord of the Rings: The Rings of Power (Season 2)

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Megalopolis

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Joker: Folie à Deux

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Wicked

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Furiosa: A Mad Max Saga

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Dune Part 2

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House of the Dragon (Season 2)

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Poor Things

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El Conde

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The Batman

Personalized solutions

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Director/cinematographer Alfonso Cuarón

ARRI (Rental) from the moment that we talked to them...they became one of our strongest allies in moving forward with the project.

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Cinematographer Stuart Dryburgh ASC

I've worked with ARRI Rental a lot...I'm always made very welcome and always well supported.

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Cinematographer Adam Newport-Berra

Most if not all of the films I've done have been with ARRI Rental; they've been so supportive of my work, both logistically and creatively.

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Cinematographer Newton Thomas Sigel ASC

We designed a reverse optics lens for one sequence, which worked stunningly well. I can't say a bad word about the ARRI Rental team.

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Cinematographer Richard Rutkowski ASC

The people at ARRI Rental are as dedicated as filmmakers...they think about things in the creative sense, not just the financial sense.